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FORE:"The Japanese had been exclusive for a long time, and wished to continue so. They had had an experience of foreign relations two hundred years ago, and the result had well-nigh cost them their independence. It was unsatisfactory, and they chose to shut themselves up and live alone. If we wanted to shut up the United States, and admit no foreigners among us, we should consider it a matter of great rudeness if they forced themselves in, and threatened to bombard us when we refused them admittance. We were the first to poke our noses into Japan, when we sent Commodore Perry here with a fleet. The Japanese tried their best to induce us to go away and let them alone, but we wouldn't go. We stood there with the copy of the treaty in one hand, and had the other resting[Pg 161] on a cannon charged to the muzzle and ready to fire. We said, 'Take the one or the other; sign a treaty of peace and good-will and accept the blessings of civilization, or we will blow you so high in the air that the pieces won't come down for a week.' Japan was convinced when she saw that resistance would be useless, and quite against her wishes she entered the family of nations. We opened the way and then England followed, and then came the other nations. We have done less robbing and bullying than England has, in our intercourse with Japan, and the Japanese like us better in consequence. But if it is a correct principle that no man should be disturbed so long as he does not disturb any one else, and does no harm, the outside nations had no right to[Pg 162] interfere with Japan, and compel her to open her territory to them."

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FORE:He paused abruptly, aware that certain peculiar changes were taking place in the physiognomy of the Clockwork man. His strange organism seemed to be undergoing a series of exceedingly swift and complicated[Pg 138] physical and chemical processes. His complexion changed colour rapidly, passing from its usual pallor to a deep greenish hue, and then to a hectic flush. Concurrent with this, there was a puzzling movement of the corpuscles and cells just beneath the skin.

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THREE:"Whoever 'e be," said Mr. Flack, referring to the strange visitor to Great Wymering, "I should judge 'im to be a bit of a masterpiece."At Tokio, Osaka, Kioto, and other large and wealthy cities many of the tea-houses are so extensive that they take the name of gardens, and cover large areas of ground. The attendants are invariably girls, and the number is by no means niggardly. They are selected for their intelligence and good-looks, as the business of the house depends considerably upon the attractiveness of the servants. Their movements are graceful, and a Japanese tea-house, with its bevy of attendants, is no unpleasant[Pg 178] sight. Foreigners in Japan are liberal patrons of the tea-houses, and many a stranger has found a cordial welcome within the walls of one of these popular establishments.

TWO:It was but a few months ago that Mr Keeling, taking advantage of a break in the lease of his own house, and the undoubted bargain that he had secured in this more spacious residence, had bought the freehold of ��The Cedars,�� and had given the furnishing and embellishment of it (naming the total sum not to be exceeded) into the hands of his wife and the head of the furnishing department in his stores. The Gothic porch, already there, had suggested a ��scheme�� to the artistic Mr Bowman, and from it you walked into a large square hall of an amazing kind. On the floor were red encaustic tiles with blue fleurs-de-lis, and the walls and ceiling were covered with the most expensive and deeply-moulded Lincrusta-Walton paper of Tudor design with alternate crowns and portcullises. It was clearly inconvenient that visitors should be able to look in through the window that opened on the ��carriage-sweep��; so Mr Bowman had arranged that it should not open at all, but be filled with sham{15} bottle-bottoms impervious to the eye. In front of it stood a large pitch-pine table to hold the clothings and impedimenta of out-of-doors, and on each side of it were chairs of Gothic design. The fireplace, also new, had modern Dutch tiles in it, and a high battlemented mantel-shelf, with turrets at the corners. For hats there was a mahogany hat-rack with chamois-horns tipped with brass instead of pegs, and on the Lincrusta-Walton walls were trophies of spears and battle-axes and swords. Mr Bowman would have left the hall thus in classic severity, but his partner in decoration here intervened, and insisted on its being made more home-like. To secure this she added a second table on which stood a small stuffed crocodile rampant holding in his outstretched forelegs a copper tray for visitors�� calling cards. Mrs Keeling was very much pleased with this, considering it so quaint, and when her friends called, it often served as the header-board from which they leaped into the sea of conversation. The grate of the fire-place, empty of fuel, in this midsummer weather, was filled with multitudinous strips of polychromatic paper with gilt threads among it, which streamed from some fixed point up in the chimney, and suggested that a lady with a skirt covered with ribbons had stuck in the chimney, her head and body being invisible. By the fireplace Mrs Keeling had placed a painted wheelbarrow with a gilt spade, containing fuchsias in{16} pots, and among the trophies of arms had inserted various Polynesian aprons of shells and leather thongs brought back by her father from his voyages; these the outraged Mr Bowman sarcastically allowed ��added colour�� about which there was no doubt whatever. Beyond this hall lay a farther inner one, out of which ascended the main staircase furnished (here again could be traced Mr Bowman��s chaste finger) with a grandfather��s clock, and reproductions of cane-backed Jacobean chairs. From this opened a big drawing-room giving on the lawn at the back, and communicating at one end with Mrs Keeling��s ��boudoir.�� These rooms, as being more exclusively feminine, were inspired in the matter of their decoration by Mrs Keeling��s unaided taste; about them nothing need be said beyond the fact that it would take any one a considerable time to ascertain whether they contained a greater number of mirrors framed in plush and painted with lilies, or of draped pictures standing at angles on easels. Saddlebag chairs, damask curtains, Landseer prints, and a Brussels carpet were the chief characteristics of the dining-room.